Ripley (2024)

by Laurence Meehan

I was thrilled to discover the Netflix series Ripley, particularly because it showcases the incredible talent of Andrew Scott, an Irishman making waves in Hollywood. I had heard, vaguely, about a new adaptation of Patricia Highsmith’s novel The Talented Mr. Ripley, which had been famously adapted in the 1999 film. However, I’d forgotten that the lead character, Tom Ripley, would be portrayed by Andrew Scott, whose performances in Fleabag (so magnetic!) and Black Mirror (so chilling!) have always impressed me. Additionally, I was unaware that the series would be presented in black and white.

This creative decision is brilliant, especially considering how beloved the 1999 film adaptation by Anthony Minghella is, in part due to its vibrant, sun-soaked colour palette. Jude Law and Gwyneth Paltrow as Dickie and Marge gleam gloriously on the Italian beach. The jazz club where Tom performs “Tu Vuo’ Fa L’Americano” glows with red and blue light, marking the moment Tom experiences brief, perfect happiness—an event that sets the tragedy in motion. Even when Dickie finds himself in the boat with Tom, he reclines with the sun warming his exposed ankles, a scene bathed in warm light.

In stark contrast, Ripley dives into chilled noir filmmaking. Deep shadows accentuate cheekbones, and light is carved into sharp blocks by bars and blinds. Scott’s eyes appear like onyx marbles, perfect for a Tom who is a pure con artist from the beginning. This version of Tom Ripley runs small-time scams, pretending to be someone he’s not to swindle people out of their money.

Stephen Zaillian, the screenwriter and director, and Robert Elswit, the director of photography, are both Oscar winners. Zaillian won for writing Schindler’s List, and Elswit for the cinematography on There Will Be Blood. Elswit’s work on Michael Clayton offers a comparison not only in terms of visual style but also in the impeccable tension and dread that permeate Ripley. Their collaboration results in a meticulously crafted piece of filmmaking that references classic noir, Hitchcock, and Italian cinema greats. Watching it unfold, shot by shot, is a profound pleasure.

Seeing Andrew Scott, an exceptionally talented Irishman, leading such a remarkable series is a source of immense pride. His performance adds to the growing list of Irish stars who are excelling in Hollywood, bringing both skill and depth to their roles. Scott’s portrayal of Tom Ripley is yet another testament to his versatile talent and the powerful impact of Irish actors in the global film industry.

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